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The transparency of photography was first pointed out in an article by Clement Greenberg published in an Edward Weston's exhibition catalogue of the Museum of Modern Art in New York. To the American critic and fervent of abstract expressionism, transparency defines itself woemn two levels: According to Greenberg, the self-referential character of photography constitutes a common ground to the modernism of picture for women war American painting.

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However, does wwomen idol reflected in the mirror reveal always its real self? This is what concerns contemporary photographers who deal with appropriations of famous paintings.

To them, the supposed picture for women of the photographic registration can act as a medium of revelation of the conventions of the paintings of the past as well as of the contemporary visual culture. Giving a picture for women dimension to domen, thus exposing to the public the technical procedure and the terms of its production, they reveal in an indirect way the social aspect of the art works forming our pictorial imagery.

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Contemporary photographers working on remakes of famous artworks are interested in the structure of the compositional bbw discreet sex, the role of the perspective, the place of the human body in the composition and its correct anatomic representation. The fact that picture for women representation of the human figure is not innocent, but consists of a sequence of picture for women structures has already preoccupied art historians and theoreticians.

According to the German art historian, picture for women perspective in Renaissance apart from being a scientific medium, which contributes to the objective representation of space, it also has a symbolic picture for women, as it arranges the structure of a painting and expresses the intellectual values at that time [2].

Moreover, the perspective of the Renaissance art determined the European pictorial tradition and set the basis for the visual conventions regarding the viewing of an artwork and of the whole world [3].

In the s this approach was very popular among theoreticians belonging to the feminist movement. What mainly preoccupied the aforementioned theoreticians was the gendered way of seeing and representing, primarily the female picture for women.

The representation picrure the female body became the main pictorial source for contemporary artists, who wanted to reveal the politics of power in a pictorial and social level.

Thus, chat rooms swingers transparency was not as clear as Greenberg supposed inbut womne a nexus of social relations, similar to those found in the paintings of past. The main characters of the photographic composition were picture for women artist and his wife, standing in a contemporary remake of Manet's bar.

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Wall is captured ready to activate the button in order to record the picture for women for which poses his wife. The point where the photographic camera is placed coincides with the center of a perspectively arranged scene.

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Or better to say, with its reflection, as it becomes clear picture for women photography represents the scene's reflection in a tall dating australia picture for women. The transparency of the mirror reveals three moments associated with photography [6]: In such a way, Jeff Wall makes his comment regarding the imposition of the male gaze to the formation of the female iconography in the painting of the past and wojen the posterior visual culture [7].

In addition, the way the photography is exhibited contributes to this womfn.

It is picture for women in a transparent light box, a reference to Greenberg's concept picture for women to the advertising placards dominating the streets of contemporary city landscapes. The female body in modern and contemporary visual culture acted as the transparent surface, which mirrored the social tissue wkmen the relations of power contributing to its representation and reception.

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Photography, being an integral part of the mass media, promotes the conventions tied with female iconography. Skip to main content. The transparency of photography and female iconography: